This is my final image for the review of Project B. My intentions have changed along the way, so I thought I’d update the proposal in the image as well.
This project takes the abstraction of pattern and creates an interesting condition between two surfaces. When viewed straight on, the surfaces line up to give the idea of the original pattern. Since this view is rarely achieved in perspective, this project will explore the idea of experiencing a layered surface from different viewpoints. The two surfaces create a space between which can be inhabited on different scales. This space is created through the folding and bending of each surface, which creates texture and space in the surface. “While bending may suggest tension, stress, or restlessness, it also suggests continuity, direction, and smoothness” (“(Un)folding Form” by Kostas Terzidis from “Expressive Form, A Conceptual Approach to Computational Design”). Through this manipulation, a dialogue is created between the surfaces, as a result of the original abstraction of pattern. This project explores the idea of a façade, which can be occupied. The viewer will have one perception from the outside, a different perception from the interior, and the space between the two surfaces. The Louis Vuitton Roppongi Hills Store explores the idea of transforming their label into a façade treatment. The label is experienced as label from the interior, but on other outer wall, it is transformed into an abstraction of that pattern which then allows you to experience the label in varying ways. “The composite of the layers forms a deep screen that provides varying degrees of transparency or opacity when seen from different angles: more transparent the more frontal the viewpoint, more opaque when seen on the oblique” (The Function of Ornament, edited by Farshid Moussavi and Michael Kubo). The technique used in this building creates an experience that varies dependent on the viewpoint.
This project takes the idea of transformation of a pattern, and allows the surfaces to be experienced from the exterior, the interior, as well as the space between the two layers of surface. This will add an element of human motion that will make the façade more dynamic.
TKR Building in Soel Korea. Architect: Frank Barkow
Found in The Plan Magazine